We're accustomed to glamour in London SE26: Kelly Brook and Jason Statham used to live above the dentist. But when Anouska Hempel's heels hit the cracked cement of the parking space outside my flat, it's hard not to think of those Picture Post photographs of royalty visiting bombed-out families during the second world war. Her mission in my modest tract of suburbia is, however, about more than offering sympathy. Hempel—the woman who invented the boutique hotel before it bore any such proprietary name—has come to give me information for which, judging by the spreads in interiors magazines and anxious postings on online DIY forums, half the property-owners in the Western world seem desperate: how to give an ordinary home the look and the vibe of a five-star, £750-a-night hotel suite. To Hempelise, in this case, a modest conversion flat formed from the middle slice of a three-storey Victorian semi.
"You could do it," she says, casting an eye around my kitchen. "Anyone could do it. Absolutely no reason why not. But there has to be continuity between the rooms. A single idea must be followed through." She looks out wistfully over the fire escape. "And you'd have to buy the house next door, of course." That's a joke. I think.
...
It's worth pausing, though, to consider the oddness of this impulse. The hotel room is an amnesiac space. We would be troubled if it bore any sign of a previous occupant, particularly as many of us go to hotels in order to do things we would not do at home. We expect a hotel room to be cleaned as thoroughly as if a corpse had just been hauled from the bed. (In some cases, this will actually have happened.) The domestic interior embodies the opposite idea: it is a repository of memories. The story of its inhabitants ought to be there in the photos on the mantelpiece, the pictures on the wall, the books on the shelves. If hotel rooms were people, they would be smiling lobotomy patients or plausible psychopaths. | Translated into Tamil in the Tamil True Type Font: Bamini.ttf . Transliteration follows ehq;fs; yz;ld; nj.fp.26-y; ftu;r;rpf;Fg; /gfl;Lf;Fg; gof;fg;gl;lth;fs;;: nfy;yp G&f; kw;Wk; [h]d; ];ljk; Nghd;w gpugyq;fs; gy;itj;jpaUf;Fk; NkNy trpg;gJ/,Ug;gJ tof;fk;. MdhYk; vd;Dila mLf;Fkid tPl;bd; ntspNa thfdepWj;Jkplj;jpd; gpsTz;l rpnkz;l; jiuia mndh];f;fh n`k;ngy;ypd; Fjpfhy; nrUg;Gfs; jl;ba nghOJ > ,uz;lhk; cyfg;Nghupy; Fz;Lfshy; jfh;f;fg;gl;l FLk;gq;fis mur FLk;gj;jpdh; re;jpf;Fk; me;j gpf;rh; Ngh];l; Gifg;glq;fisg;gw;wp epidf;fhky; ,Ug;gJ fbdk;. vg;gb ,Ue;jhYk;> vd;Dila vspa Gwefh;g;gFjpf;F mthpd; tUiff;fhd Nehf;fk; MWjy; $WtjpYk; $LjyhdJ. n`k;ngy; - nghl;bf; N`hl;ly; mjw;F mg;gb xU nrhj;Jhpikg;ngah; fpilg;gjw;F Kd;Ng mjidf;fz;Lgpbj;j ngz;kzp. mth; vd;idr;re;jpf;f te;jpUg;gJ xU rhjhuz tPl;bw;F vg;gb Xh; Ie;J- el;rj;jpu>Xh; ,uTf;F £750 , tpLjp miwiag;Nghd;w Njhw;wj;ijAk; mjph;itAk; jUtJ vd;w jftiyj;jUtjw;F. cs; myq;fhu gj;jphpiffspd; cs;tphpg;Gfs; kw;Wk; ePq;fNs mij nra;Aq;fs; (eP.m.nr.) jsg;gf;f gjpTfs; ,tw;iwf; nfhz;L fzpj;jhy; Nkw;F cyfj;jpd; ghjp nrhj;J-chpikahsh;fs; ,jw;fhfNt jtpg;gJNghy; cs;sJ. ,g;Nghija tplaj;jpy;> n`k;ngy;jdkhf;fg;gLtjw;fhf> xU %d;Wkhb gFjp tpf;Nlhhpa ghzpapd; eLj;Jz;bypUe;J khw;wpaikf;fg;gl;l xU rhjhuz mLf;Fkid. ‘‘ePq;fs; nra;a KbAk; ’’> vdJ rikayiwia fz;fshy; Nehl;lkpl;lgbNa mth; nrhy;fpwhh;. ‘‘vth; Ntz;LkhdhYk; nra;ayhk;. Vd;KbahJ. (KbahJ vd;W nrhy;tjw;F) Kw;wpYk; fhuzNk ,y;iy. Mdhy; miwfSf;F ,ilNa njhlh;r;rp ,Uf;f Ntz;Lk;. xNu fUj;J njhlh;r;rpahf gpd;gw;wg;glNtz;Lk;’’. neUg;G Nghf;fpf;Fk; NkNy ntspNa mth; ghh;f;fpwhh;. ‘‘ mg;Gwk;... epr;rakh ePq;f mLj;j tPl;ilAk; thq;f Ntz;bajpUf;Fk;’’. ,J xU fpz;ly;. ehd; epidf;fpNwd;. ... ,Ue;jhYk;> ,e;j cj;Ntfj;jpd; Kuizg; ghprPypf;f> epjhdpg;gJ ey;yJjhd;. tpLjp miw vd;gJ xU epidit kwf;fbf;fr;nra;Ak; ,lk;. Kd;G jq;fpapUe;jtiug;gw;wpa milahsq;fs; VNjDk; ,Ue;jhy; ehk; rq;flg;gLNthk;. Fwpg;ghf ek;kpy; gyUk; tPLfspy; ehk; nra;akhl;lhj tp~aq;fisr; nra;tjw;fhfNt tpLjpfSf;Fr; nry;fpNwhk;. xU rlyj;ij gLf;ifapypUe;J mfw;wpaTld; (Rj;jk;) nra;tijg;NghNy xU tpLjp miw ed;F Rj;jg;gLj;jg;glNtz;Lnkd;W ehk; vjph;ghh;f;fpNwhk;. (rpy re;jh;g;gq;fspy;> ,J ep[khfNt ele;jpUe;jpUf;fpwJ.) tPl;L cs; myq;fhuk; vjph;f;fUj;ij cs;slf;fpapUf;fpwJ: mJ xU Qhgfq;fspd; njhFg;gfk;. mjpy; trpg;gth;fSila fij neUg;Gg; gFjp khlj;jpy; cs;s Gifg;glq;fspy;> Rtw;wpd; Nky; ,Uf;Fk; glq;fspy;> mykhhpapy; ,Uf;Fk; Gj;jfq;fspy; ,Uf;fNtz;Lk;. tpLjp miwfs; kdpjh;fshf ,Ue;jhy;> mitfs; rphpj;Jf;nfhz;bUf;Fk; %is gpwo;e;j NehahspfshfNth my;yJ ep[khd igj;jpaf;fhuh;fshfNth ,Uf;ff;$Lk;. Transliteration of the above in Roman script as the technical error do not permit the Bamini.ttf to be visible. Sorry for the inconvenience. Naangal London the.ki.26-il kavarccikkup/pakattukkup pazhakkappattavarkal: kelli brook marrum jasan statham pondra pirabalangal pal vaiththiyarukkum mele vasippathu/iruppathu vazhakkam. Anaalum ennudaiya adukkumanai viittin veliye vaahana niruththumidaththin pilavunda ciment tharaiyai anoska hempellin kuthikaal seruppukal thattiya pozhuthu , irandaam ulakapporil kundukalaal thakarkkappattak kudumbangalai arasa kudumbaththinar sandhikkum andha pikccar post pukaippadangalaip parri ninaikkamal iruppathu kadinam. Eppadi irundhaalum, ennudaiya pura nagarp pakuthikku avarin varukaikkaana nokkam aaruthal kuuruvathilum kuuduthalaanathu. Hempel -botik hotal adharkku appadi oru soththurimaip peyer kidappatharkku munbe adhanai kandu pidiththa penmani. Avar ennaic candhikka vandhiruppathu oru saadharana viittirkku eppadi vor aindhu natchaththira , vor iravukku £750 , viduthi araiyaip pondra thotraththaiyum adhirvaiyum tharuvathu endra thakavalaith tharuvatharkku. Ul alankaarap pathirikaikalin ul virippukal marrum Niingale Adhai Ceiyungal (Nii. A.Ce) thalappakkap pathivukal ivarraik kondu kaniththaal Merkku ulakaththin paathi soththu urimaiyalarkal idharkkaakave thavippathu pol ullathu. Ippodhaiya vishayaththil , Hempelthanamaakkappaduvatharkaaka , oru moondru maadi pakuthi viktoriya paaniyin naduththundilirundhu maarriyamaikkappatta oru saadharana adukku manai. “Niingal seiyya mudiyum”, enathu samaiyalaraiyai kankalaal nottamittapadiya avar solkiraar. “ Evar vendumaanaalum seiyyalaam. Een mudiyaathu. ( mudiyaathu endru sollvatharku) murrilum kaaraname illai. Aanaal araikalukku idaiye thodarcci irukka vendum. Ore karuththu thodarcciyaka pinparrappada vendum”. Neruppup pokkikkum mele veliye avar paarkkiraar. “ Appuram... Niccayama niinga aduththa viittaiyum vaanga vendiyathirukkum”. Idhu oru kindal. Naan nineikkiren. ... Irundhaalum, indha uthvekaththin muranaip parisiilikka, nidhaanippathu nallathuthaan. Viduthi arai enpathu oru nineivai marakkaadikkac ceiyum idam. Munbu thangiyirundhavaraip parriya adaiyaalangal edhenum irundhaal naam sankadap paduvom. Kurippaka nammil palarum viidukalil naam seiyya maattaatha vishayangalaic ceivatharkaakave viduthikalukkuc celkirom. Oru sadalaththaip padukkaiyilirundhu akarriyavudan ( suththam) seivvathaip pole oru viduthi arai nangu suththap paduththappadavendumendru naam edhir paarkkirom.( sila sandharppangalil, idhu nijamaakave nadandhirundhirukkirathu.) Viittu ul alankaaram edhir karuththai ulladakkiyirukkirathu: Adhu oru njyaapakangalin thokuppakam. Adhil vasippavarkaludaiya kadhai neruppuppakuthi maadaththil ulla pukaippadangalil, suvarrin mel irukkum padangalil, alamaariyil irukkum puththakangalil irukka vendum. Viduthi araikal manitharkalaaka irundhaal, avaikal siriththuk kondirukkum muulai pirazhndha noyaalikalaakavo allathu nijamaana paiyiththiyak kaararkalaakavo irukkakkuudum.
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